Skip to content

Step windows

Each step opens in a window of its own: On, Preset and Hold to Compare in the toolbar, the live sound in the middle, the step's settings below.

Every step of a source’s processing opens in a window of its own, titled with the step and the source. Click the step’s row in Audio Routing to open it. Several can be open at once, each is listed in the Window menu, and they close with the show.

The Equalizer window for Camera 2: the curve over the live sound with five numbered handles, the meters either side, and the band’s rows below

On beside the title turns the step on or off. At the trailing edge, the Preset menu has the step’s own presets (Default puts every setting back; Custom once you changed one), and Hold to Compare: held, you hear the source without this step, at the same delay. See Processing.

The input meter on the left, the output meter on the right, and between them a picture of what the step does to the sound now. Make the window larger to give the picture more room.

Under the picture, the step’s settings as rows, as in the inspector: drag a slider, type a value, or reset it to its default.

How much delay the step adds (Adds 30 ms) and Remove Step.

Step The picture The settings
Clean Voice the sound in (grey) and out (blue), the room tone dashed Strength, Room Tone, Quiet Between Words, Opens At. See Clean Voice
Room Reduction the sound in and out Strength, Max Reduction, Room. See Room Reduction
Equalizer the curve over the live sound, a numbered handle per band Band, Type, Frequency, Gain or Slope, Width
Compressor the level in against out, the threshold, a dot for the live level and the Reduction Threshold, Ratio, Attack, Release, Gain
an Audio Unit the unit’s own view the unit’s own, or its settings as rows. See Add an Audio Unit

Five bands, edited one at a time: pick one on the curve or in Band, or drag its handle, left and right for the frequency, up and down for the gain. By default only the first does anything: Low Cut at 80 Hz, which takes the rumble away and turns a 50 or 60 Hz hum down. The others are Low (160 Hz), Mid (450 Hz), Presence (3.2 kHz) and High (9 kHz), flat until you raise or lower them.

Setting Range
Type Low Cut, Low Shelf, Bell, High Shelf, High Cut
Frequency 20 Hz to 20 kHz
Gain −20 to +20 dB
Slope (a cut, in place of Gain and Width) 12, 18 or 24 dB/oct
Width 0.3 to 10

The Compressor turns the voice down once it passes Threshold, by Ratio, so loud and quiet words come closer together; Gain brings the whole back up. Attack and Release say how fast it reacts and lets go.

The Compressor window for Camera 1: the transfer curve with the threshold line, the live dot and the reduction, and the rows below

An Audio Unit that is not on this Mac shows a message in place of its settings: install it, or remove the step. The step is kept in the show meanwhile, off.

Describes Live Producer 0.330 · 10 November 2026